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Shrek 2: Motion Picture Soundtrack is the soundtrack for the animated comedy film Shrek 2 and was released in May 2004, to accompany the release of the film. The soundtrack reached the Top 10 on the Billboard 200 and number 1 on the Soundtrack Albums as well as topping the albums chart in Australia.
That song, "Memphis Skyline", referenced Buckley's version of "Hallelujah", which Wainwright would later record, though using piano and a similar arrangement to Cale's. Wainwright's version is included on the album Shrek: Music from the Original Motion Picture, although it was Cale's version that was used in the film itself. [97]
The song's accompanying music video features characters from the superhero film Mystery Men (1999), which itself prominently featured "All Star". The song became ubiquitous in popular culture following multiple appearances in films, such as in Mystery Men, Digimon: The Movie, and most notably in DreamWorks Animation's 2001 film Shrek.
During the development of “Shrek,” the creators did not consider what might appeal to children. “Andrew [Adamson, co-director] and I, we didn’t have kids,” co-director Vicky Jenson says ...
In the new documentary "Hallelujah: Leonard Cohen, A Journey, A Song," filmmakers Dayna Goldfine and Dan Gellar examine how despite the odds, the song managed to take on a life of its own after ...
(Wainwright apparently replaced him on the soundtrack because he is signed with Dreamworks SKG and Cale is not.) The Shrek theme music was also based on "Hallelujah." I think this means that the music in the Shrek movie is Cale's version while the one on the CD Soundtrack is Wainwright. The first sentence isn't clear though. How about;
Frou Frou also gained popularity in the United States in 2004 after Zach Braff used "Let Go" on the soundtrack for his film, Garden State. [16] The duo also worked together in 2003 on a track for Britney Spears's fourth album In The Zone, [6] entitled "Over To You Now".
Great song,” Trump told supporters when Wainwright’s cover of “Hallelujah” played from the speakers. The song, written by Cohen in 1984, has become a cult classic over the years.