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Mathu Vadalara 2 (transl. Leave the intoxication 2) is a 2024 Indian Telugu-language comedy thriller film directed by Ritesh Rana. It serves as a sequel to Mathu Vadalara (2019). The film features Sri Simha Koduri , [ 5 ] Satya , and Vennela Kishore reprising their roles from the first installment, with Faria Abdullah [ 6 ] and Sunil joining ...
Village Rockstars 2 is a 2024 Indian-Singapore Assamese language coming-of-age drama film written, edited, produced and directed by Rima Das. Sequel to Village Rockstars (2017), revisits the life of Dhunu, seven years after the events of the last film.
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Sa Re Ga Ma Pa Seniors 2019 is a 2019 Indian-Tamil language reality singing television show, which aired on Zee Tamil from 18 May 2019 to 10 August 2019 on every Saturday and Sunday at 7:00PM . Persons above the age of 18 years were permitted to audition to showcase their talent on the platform. It is the second season of Sa Re Ga Ma Pa Seniors.
Seikima (聖飢魔) means "Holy Devouring Demon", but with the II ("tsu") added to the end it becomes a play on the term seikimatsu (世紀末) or "the end of the century". It is also an abbreviation of the phrase Seinaru mono ni ueteiru akuma ga futatabi (tsū) yomigaeru (聖なる物に飢えている悪魔がII（ふたた）び蘇る, "the demon that devours holiness has resurrected again").
Sa Re Ga Ma Pa L'il Champs, is a sub-series of Sa Re Ga Ma Pa, it is a singing competition television series, which airs on Zee TV. Young children participate in this show and are judged on the basis of their voice quality, singing talent and versatility in their performance. In 2021, Sa Re Ga Ma Pa Li’l Champs Nepal was organized.
[33] [34] [a] Spira Spica performed the series' opening theme song "Iya yo Iya yo Mosuki no Uchi", [Jp. 13] while Ai Kayano performed the series' ending theme song "Tsūjou Kōgeki ga Zentai Kōgeki de ni Kai Kōgeki Mama". [Jp. 14] [35] [36] An additional OVA episode is bundled with the series' sixth Blu-ray volume, which was released on March ...
Sa is omitted within a taan; it may only be used at the end of a phrase and even then is used infrequently. Bhatkhande gives the pakad as Dha Ma Ga Re, Ga Ma Ga, Re, Sa.. Patwardan has shown the mukhya ang as Re Ga Ma Dha, Dha Ma Ga Re, but points out that the raga is also clearly indicated by: 'Ni Re Ga Ma Dha, Dha Ma Ga Re '