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The special aniline dyes for making the master image came in the form of ink or in pens, pencils, carbon paper and even typewriter ribbon. Hectograph pencils and pens are sometimes still available. Various other inks have been found usable to varying degrees in the process; master sheets for spirit duplicators have also been pressed into ...
A sheet of carbon paper, with the coating side down Handwriting duplicated through carbon paper. Carbon paper (originally carbonic paper) consists of sheets of paper that create one or more copies simultaneously with the creation of an original document when inscribed by a typewriter or ballpoint pen. The email term cc which means ‘carbon ...
For even smaller quantities, up to about five, a typist would use carbon paper. Early fanzines were printed by mimeograph because the machines and supplies were widely available and inexpensive. Beginning in the late 1960s and continuing into the 1970s, photocopying gradually displaced mimeographs, spirit duplicators, and hectographs.
Tracing paper is paper made to have low opacity, allowing light to pass through.It is named as such for its ability for an image to be traced onto it. The modern version of tracing paper was developed for architects and design engineers to create drawings which could be copied precisely using the diazo copy process.
In Pascin’s mind a drawing should be done in complete freedom by the hand that is doing the drawing, without being controlled by the eye. He developed a form of blind contour drawing whereby a sheet of carbon paper was laid between two sheets of paper. [1] The drawing itself was done using a non-writing pen (or stylus).
Carbon dust illustration. Carbon dust is an artistic technique in which carbon dust is applied to a surface via dry brushes. Highlights may be painted on or scratched out later in the process. Dust is prepared by rubbing carbon pencils against an abrasive surface, such as a metal file.