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Here he continued Don Juan and wrote Ravenna Diary, My Dictionary and Recollections. [25] Ravenna is the location where Lionel, the protagonist of Mary Shelley's post-apocalyptic novel The Last Man, comes ashore after losing his companions to a howling storm in the Aegean Sea. Oscar Wilde (1854–1900) wrote a poem Ravenna in 1878. [26]
The Greek Madonna of Ravenna. The Greek Madonna (Madonna Greca in Italian) is a Byzantine marble bas-relief sculpture of the Virgin Mary in Ravenna - she is patron saint of the city, the Roman Catholic Archdiocese of Ravenna-Cervia and the Vicariate of the Sea (Vicariato del Mare).
Although it might be the most famous, Ravenna is by no means the only place where Early Byzantine mosaics are well-preserved today. The city of Thessaloniki in Greece was the second most important city in the empire in terms of both wealth and size, [ 12 ] and like Ravenna its early Christian monuments have been designated UNESCO World Heritage ...
Interior of the Basilica of San Vitale from Ravenna (Italy), decorated with elaborate and glamorous mosaics Pammakaristos Church, also known as the Church of Theotokos Pammakaristos (Greek: Θεοτόκος ἡ Παμμακάριστος, "All-Blessed Mother of God"), is one of the most famous Greek Orthodox Byzantine churches in Istanbul Church of Christ Pantocrator (13th-14th century ...
The Throne of Maximian (or Maximianus) is a cathedra (episcopal throne) that was made for Archbishop Maximianus of Ravenna and is now on display at the Archiepiscopal Museum, Ravenna. It is generally agreed that the throne was carved in the Greek East of the Byzantine Empire and shipped to Ravenna , but there has long been scholarly debate over ...
The empty throne with cushion, crux gemmata and cloth, flanked by Saints Peter and Paul. Arian Baptistery, Ravenna, early 6th century.. The Hetoimasia, Etimasia (Greek ἑτοιμασία, "preparation"), prepared throne, Preparation of the Throne, ready throne or Throne of the Second Coming is the Christian version of the symbolic subject of the empty throne found in the art of the ancient ...
The Exarchate of Ravenna (Latin: Exarchatus Ravennatis; Greek: Εξαρχάτον τής Ραβέννας, romanized: Exarcháton tḗs Ravénnas), also known as the Exarchate of Italy, was an administrative district of the Byzantine Empire comprising, between the 6th and 8th centuries, the territories under the jurisdiction of the exarch of Italy (exarchus Italiae) resident in Ravenna.
The polychrome colors and shapes, as well as the preference for geometric pattern over representation is known as the jeweled style in Late Antiquity. [9] They were finished when Ravenna was still under Gothic rule [citation needed]. The apse is flanked by two chapels, the prothesis and the diaconicon, typical for Byzantine architecture.