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Lawrenc, Novotny (2007). Blaxploitation Films of the 1970s: Blackness and Genre (Studies in African American History and Culture). NY: Routledge; 1 edition.
In US cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the Black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated Black artists reclaiming their power of the Representation of the Black ...
Shaft is a 1971 American blaxploitation crime action thriller film directed by Gordon Parks and written by Ernest Tidyman [4] and John D. F. Black. [5] It is an adaptation of Tidyman's novel of the same name and is the first entry in the Shaft film series.
Coffy is a 1973 American blaxploitation action thriller film written and directed by Jack Hill.The story is about a black female vigilante played by Pam Grier who seeks violent revenge against a heroin dealer responsible for her sister's addiction.
Blacula is a 1972 American blaxploitation horror film directed by William Crain.It stars William Marshall in the title role about an 18th-century African prince named Mamuwalde, who is turned into a vampire (and later locked in a coffin) by Count Dracula in the Count's castle in Transylvania in the year 1780 after Dracula refuses to help Mamuwalde suppress the slave trade.
Boss Nigger (also known as Boss and The Black Bounty Killer) is a 1975 blaxploitation Western film directed by Jack Arnold, starring former football player Fred Williamson, who also wrote and co-produced the film. It is the first film for which Williamson was credited as screenwriter or producer. [1] [2]
B. BaadAsssss Cinema; The Bad Bunch; Bamboo Gods and Iron Men; Bare Knuckles; Black Belt Jones; Black Caesar (film) Black Chariot; Black Cobra (film series) Black Devil Doll from Hell
Blaxploitation films, regardless of subgenre, spawned from race movies.These were films that started appearing in the 1930s–1940s. They were meant to segregate films featuring an all black cast from mainstream Hollywood movies.