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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
Even in the famous 3.1 soliloquy, Hamlet gives voice to the conflict. When he asks if it is "nobler in the mind to suffer", [80] Cantor believes that Shakespeare is alluding to the Christian sense of suffering. When he presents the alternative, "to take arms against a sea of troubles", [81] Cantor takes this as an ancient formulation of goodness.
"Mortal coil"—along with "the slings and arrows of outrageous fortune", "to sleep, perchance to dream" and "ay, there’s the rub"—is part of Hamlet’s famous "To be, or not to be" speech. Schopenhauer's speculation
In this work, the title character is chastised by his uncle (and new stepfather), Claudius, for grieving his father so much, calling it unmanly. In his resultant soliloquy, Hamlet denounces his mother's swift remarriage with the statement, "Frailty, thy name is woman." [1] He thus describes all of womankind as frail and weak in character. [2]
Summary Prince Hamlet is visited by his father's ghost and ordered to avenge his father's murder by killing King Claudius, his uncle. After struggling with several questions, including whether what the ghost said is true and whether it is right for him to take revenge, Hamlet, along with almost all the other major characters, is killed. Julius ...
The disintegration of values, morals, and order is a theme discussed at length in "Hamlet". The colloquial tone of the Gravediggers brings this philosophy into the focus of the audience's world. The synthesis of all perspectives used ends in a greater comprehension of the play as a whole.
Polonius forces Ophelia to return Hamlet's love letters to the prince while he and Claudius secretly watch in order to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance. Hamlet muses on thoughts of life versus death. When Ophelia enters and tries to return Hamlet's things, Hamlet ...