Search results
Results From The WOW.Com Content Network
Atilogwu is a spirited youth dance from the Igbo ethnic group of Nigeria that focuses on vigorous body movement and often includes acrobatics. In the Igbo language , the word itself "Atilogwu" translates into "has magic, as in sorcery/witchcraft".
Tiglath-Pileser III [b] (Neo-Assyrian Akkadian: 𒆪𒋾𒀀𒂍𒈗𒊏, romanized: Tukultī-apil-Ešarra, [4] meaning "my trust belongs to the son of Ešarra"; [2] [c] Biblical Hebrew: תִּגְלַת פִּלְאֶסֶר , romanized: Tīglaṯ Pīlʾeser) was the king of the Neo-Assyrian Empire from 745 BC to his death in 727.
This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons. Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art. In recent times, graphical icons, both static and animated, have joined the traditional text-based emoticons; these are commonly known as ...
A ceremony welcoming the newly wed bride to her new home, with the feet dipped in a mixture of milk and alta. Alta has great cultural significance in Bengali and Odia culture [11] [12] [3] Regardless of religious beliefs, women traditionally adorn their hands and feet with alta for marriage [13] [7] and cultural festivals like Pohela Baishakh, Pohela Falgun and others.
There are examples of royal women in Assyria changing their name or using two names, notably the later queen Naqi'a, who is also known as Zakutû. Dalley also argued that while Banitu's objects could be in the tomb as trophies taken by Atalia, it is unclear why Atalia then would not erase the old queen's name from them and inscribe her own. [ 14 ]
Tiglath-Pileser I (/ ˈ t ɪ ɡ l ə θ p aɪ ˈ l iː z ər,-ˌ l æ θ, p ɪ-/; from the Hebraic form [1] of Middle Assyrian Akkadian: 𒆪𒋾𒀀𒂍𒈗𒊏, romanized: Tukultī-apil-Ešarra, "my trust is in the son of Ešarra") was a king of Assyria during the Middle Assyrian period (1114–1076 BC).
In Assyrian reliefs from the reign of Tiglath-pileser III, the Qedarite men are depicted wearing short loincloths, while the Qedarite women, including the queen Šamši, are dressed in long gowns covering their heads and arms: these clothes are similar to those required of Muslim pilgrims to wear during the state of ʾiḥrām when performing ...
The song was created as a parody of 1990s European dance music. [7] The song contains broken English lyrics, such as "When the rhythm is glad / There is nothing to be sad", and "Life, it never die / Women are my favorite guy". [1] The female vocals are provided by Chrissi Poland, credited as Ms. Biljana Electronica.