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Soul of Christ, sanctify me Body of Christ, save me Blood of Christ, inebriate me Water from the side of Christ, wash me Passion of Christ, strengthen me O good Jesus, hear me Within Thy wounds hide me Suffer me not to be separated from Thee From the malignant enemy defend me In the hour of my death call me And bid me come unto Thee
The "Chaplet of the Five Wounds" is a Passionist chaplet devoted to the Holy Wounds of Jesus, as a means to promote devotion to the Passion of Christ. [11] The chaplet is due to Paul Aloysius, the sixth superior general of the Passionists. It was developed in Rome in 1821. [12] A corona of the Five Wounds was approved by Pope Leo XII on August ...
Herein is an allusion to the soul which after death comes to earth to be built up as before. Observe that of the body it is written: "And it pleased the Lord to crush him by disease; to see if his soul would offer itself in restitution, that he might see his seed, and prolong his days, and that the purpose of the Lord might prosper by his hand."
Christ continues to expound on the subject of demoniacal possession, having just healed a possessed man. Lapide writes that the Scribes were spiritually possessed, and that their unclean spirit was driven out by the law of God, from the Jews, who were the people of God, among whom God dwelt, and manifested Himself by prophecies and miracles.
The only Hebrew word traditionally translated "soul" (nephesh) in English-language Bibles refers to a living, breathing conscious body, rather than to an immortal soul. [4] In the New Testament, the Greek word traditionally translated "soul" (ψυχή) "psyche", has substantially the same meaning as the Hebrew, without reference to an immortal ...
It soothes his sorrow, heals his wounds, and drives away his fear. 2 It makes the wounded spirit whole and calms the troubled breast; 'tis manna to the hungry soul, and to the weary, rest. 3 Dear Name! the Rock on which I build; my shield and hiding-place; My never-failing treasury, fill'd with boundless stores of grace,
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
Can cure a sin–sick soul. The similarities in the refrain make it likely that it was written for Newton's verse. The 1973 edition of the 1925 7-shape Primitive Baptist songbook Harp of Ages has an unattributed song "Balm in Gilead" with a similar chorus, but verses drawn from a Charles Wesley hymn, "Father I Stretch My Hands to Thee".