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The following is a listing of the jazz pianist Bill Evans's original albums. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written (or co-written), arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
The album began Evans's relationship with Riverside Records, and also marked the formation of the first Bill Evans trio with Teddy Kotick (bass) and Paul Motian (drums). AllMusic critic Scott Yanow said about the album: "Bill Evans' debut as a leader found the 27-year-old pianist already sounding much different than the usual Bud Powell ...
The Bill Evans Album: Based on a tone row: T.T.T.T. (Twelve Tone Tune Two) 1973: The Tokyo Concert: Based on a tone row: The Two Lonely People: 1971: The Bill Evans Album: Lyrics by Carol Hall for the performance of the song by Tony Bennett: Very Early: 1949 (appr.) 1962: Moon Beams: Evans's first-known tune composed when he was an ...
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Moon Beams is a 1962 album by jazz musician Bill Evans and the first trio album he recorded after the death of bassist Scott LaFaro.It introduces two important Evans originals, "Re: Person I Knew" (an anagram of the name of his then-producer, Orrin Keepnews), and "Very Early," which Evans had actually composed as an undergraduate. [3]
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980.
Writing for AllMusic, music critic Michael G. Nastos notes of the album: "A duet recording between pianist Bill Evans and guitarist Jim Hall is one that should retain high expectations to match melodic and harmonic intimacies with brilliant spontaneous musicianship. Where this recording delivers that supposition is in the details and intricacy ...