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Star Wars: Episode III – Revenge of the Sith is a 2005 American epic space opera film that is the sequel to The Phantom Menace (1999) and Attack of the Clones (2002). It is the sixth film in the Star Wars film series, the third installment in the Star Wars prequel trilogy, and third chronological chapter of the "Skywalker Saga".
Star Wars: Episode III – Revenge of the Sith is a 2005 film in the Star Wars saga. It may also refer to: Star Wars: Episode III – Revenge of the Sith, a video game adaptation of the film; Star Wars: Episode III – Revenge of the Sith, the soundtrack of the film
Jar Jar Binks is a fictional character from the Star Wars saga created by George Lucas.A member of the Gungan race, Jar Jar appears throughout the Star Wars prequel trilogy—as a major character in Star Wars: Episode I – The Phantom Menace and with a supporting role in Star Wars: Episode II – Attack of the Clones and Star Wars: Episode III – Revenge of the Sith—as well as having a ...
For me, Revenge of the Sith is so enthralling and a movie I can’t turn away from because of just how dramatic and angsty it is. It’s the ultimate culmination of the story at the core of the ...
Several years later, Knotts had a regular role on The Andy Griffith Show for five seasons. [26] Knotts left the series in 1965, [27] but periodically returned for guest appearances. [28] He appeared in the pilot for Griffith's subsequent short-lived series, The New Andy Griffith Show, [29] and he had a recurring role on Matlock, from 1988 to ...
In Star Wars: Episode III – Revenge of the Sith, in addition to a brief appearance as Orn Free Taa, Wood plays the voice role of General Grievous, a role originated by voice actors John DiMaggio and Richard McGonagle in the series Star Wars: Clone Wars. In the film, he dubbed the voice of stuntman Kyle Rowling, who played General Grievous ...
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The musical score for Star Wars Episode III: Revenge of the Sith, the Star Wars saga's sixth installment, was recorded over fourteen days at Abbey Road Studio with the London Symphony Orchestra and London Voices starting on February 3, 2005, and ending on February 17, with one morning allocated specifically for vocal recording.