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In the growing field of Drama Therapy, psychodramatic improvisation, along with other techniques developed for Drama Therapy, are used extensively. The "Yes, and" rule has been compared to Milton Erickson's utilization process and to a variety of acceptance-based psychotherapies.
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. [1] The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvisation in the performing arts is
The "Yes" portion of the rule encourages the acceptance of the contributions added by others. Participants in an improvisation are encouraged to agree to a proposition, fostering a sense of cooperation [2] rather than shutting down the suggestion and effectively ending the line of communication.
The second improv rule is “yes, and,” which refers to the practice of embracing whatever premise a scene partner suggests (“yes”) and adding to the prompts they offer (“and”).
Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of dramatic text.Students work on a series of progressively complex exercises to develop an ability to first improvise, then to access an emotional life, and finally to bring the spontaneity of improvisation and the richness of personal response to textual work ...
Bogart’s improvisation is a testament to his skills as a performer – however, what is often omitted from this story is that he used the same line eight years earlier in the 1934 movie Midnight.
Drama games, activities and exercises are often used to introduce students to drama. These activities tend to be less intrusive and are highly participatory (e.g. Bang). There are several books that have been written on using drama games. Games for Actors and Non-Actors by Augusto Boal includes writings on his life work as well as hundreds of ...
Classical acting is an umbrella term for a philosophy of acting that integrates the expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis. It is based on the theories and systems of select classical actors and directors including Konstantin Stanislavski and Michel Saint-Denis .