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"Piano in the Dark" was released in early 1988, nine years after Russell's previous charting single on the Billboard Hot 100 (1979's "So Good, So Right"). The ballad [1] [4] gained heavy airplay and became Russell's biggest hit, peaking at number 6 on the Billboard Hot 100, number 8 on the R&B chart [5] and number 3 on the Adult Contemporary ...
The term bonk for fatigue is presumably derived from the original meaning "to hit", and dates back at least half a century. Its earliest citation in the Oxford English Dictionary is a 1952 article in the Daily Mail. [8] The term is used colloquially as a noun ("hitting the bonk") and as a verb ("to bonk halfway through the race").
In Superman Returns (2006), Jason White was tinkering with this song on the piano throughout the movie. In one scene, one of Lex Luthor's henchmen joins Jason for a piano duet on the ship. In 2011, the song was featured in Family Guy S09E16 ("The Big Bang Theory") at 5:50, when Stewie shows Brian that they can do everything outside space and time.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Marshall said they could do something with that, and thus the piano scene was born. As for the piece he plays, he said, “I just improvised one right there. And then they gave me a “composed by ...
"I Love a Piano" is a popular song with words and music by Irving Berlin. It was copyrighted on December 9, 1920 and introduced in the Broadway musical revue Stop! Look!
"Woman" is a 1966 single written by Paul McCartney (under the pseudonym Bernard Webb) and recorded by Peter and Gordon. McCartney intended the song to test whether one of his compositions could be successful based on its own merits without being associated with the hit-making Lennon-McCartney songwriting team, which had produced dozens of hit records for the Beatles and other acts (including ...
The song is split into distinct segments: a groupie (Trudy Young) performs a monologue ("Oh my God, what a fabulous room!") while a television plays, under which a synthesizer makes atonal sounds, which eventually resolve into a quiet song in C major in 3/4 time ("Day after day / Love turns grey / Like the skin of a dying man."