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The Domus Aurea (Latin, "Golden House") was a vast landscaped complex built by the Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city. [1] It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. [2] [3]
The Domus Aurea was built after 64 AD and the dome was over 13 meters (43 ft) in diameter. [41] This octagonal and semicircular dome is made of concrete and the oculus is made of brick. The radial walls of the surrounding rooms buttress the dome, allowing the octagonal walls directly beneath it to contain large openings under flat arches and ...
The compositional scheme, with the space divided into segments through rays that converge to center, proposes in a modern key a model used in a room of the Domus aurea. The seventeenth-century painting in the center of the ceiling, Saint John baptizing the crowd derives from the homonymous painting by Nicolas Poussin of the Louvre.
The nave's 80 columns and its wood and stucco-decorated ceiling are from the 19th century. All that remains of the ancient basilica are the interior portion of the apse with the triumphal arch. The mosaics of the apse were greatly damaged in the 1823 fire; only a few traces were incorporated in the restoration.
The Pantheon in Rome.Largest dome in the world for more than 1,300 years. Oculus of the Pantheon. This is a list of Roman domes.The Romans were the first builders in the history of architecture to realize the potential of domes for the creation of large and well-defined interior spaces. [1]
The facade was decorated with many bells and refined bronze bracelets, which are now in the Palazzo Pubblico.. The living room was a large room with a ceiling painted by Pinturicchio and his workshop in a series of compartments with mythological scenes that elaborated the scheme of the Volta gold in the Domus Aurea which Pinturicchio had seen in Rome.
Because of the relative unimportance of the space, and a desire to copy the recently re-discovered Domus Aurea style of Ancient Roman painting, no large paintings were used, and the surfaces were mostly covered with grotesque designs on a white background, with paintings imitating sculptures in niches, and small figurative subjects in a revival ...
The baths sat at the base of the Esquiline Hill, an area of parkland and luxury estates which had been taken over by Nero (AD 54–68) for his Golden House or Domus Aurea. Titus' baths were built in haste, possibly by converting an existing or partly built bathing complex belonging to the reviled Domus Aurea. [2]