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While, in most cases, commercial masks are (more or less faithful) reproductions of traditional masks, this connection is weakening over time, as the logics of mass-production make it harder to identify the actual geographical and cultural origins of the masks found in such venues as curio shops and tourist markets.
All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history
Archaeological masks have been found from early Paleo-Eskimo and from early Dorset culture period. [2] It is believed that these masks served several functions, including being in rituals representing animals in personalized form; [14] being used by shaman (medicine man or angakkuq) in ceremonies relating to spirits (as in the case of a wooden mask from southwestern Alaska); [15] it is also ...
The culture of Burkina Faso in West Africa is also called the Burkinabé culture. Two key elements of culture in Burkina Faso (a country once known as Upper Volta) are its indigenous masks and dancing. The masks used in this region of the western Sahel are made for rites of sacrifice to gods and animal spirits in the villages. Native dance, on ...
However, the most important uses of masks in Mexican popular culture are those associated with lucha libre, or professional wrestling. [22] Here, the mask is a symbol of the wrestler's professional identity. It is made of fabric and envelops the head as well as the face, with plastic reinforcement around the eyes and mouth.
Their masks were often masterpieces of carving, sometimes with movable jaws, with the parts sometimes moved by pulling cords, or a mask within a mask to represent a magical transformation. The carving of masks was an important feature of woodcraft, along with many other features that often combined the utilitarian with the symbolic, such as ...
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
Dancing in Congo Square, 1886. Mardi Gras Indians have been practicing their traditions in New Orleans since at least the 18th century. The colony of New Orleans was founded by the French in 1718, on land inhabited by the Chitimacha Tribe, and within the first decade 5,000 enslaved Africans were trafficked to the colony.