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Yves Henri Donat Mathieu-Saint-Laurent (1 August 1936 – 1 June 2008), [1] better known as Yves Saint Laurent (/ ˌ iː v ˌ s æ̃ l ɔː ˈ r ɒ̃ /, also UK: /-l ɒ ˈ-/, US: /-l oʊ ˈ-/, French: [iv sɛ̃ lɔʁɑ̃] ⓘ) or YSL, was a French fashion designer who, in 1962, founded his eponymous fashion label. He is regarded as being among ...
The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [ 1 ] Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). [ 1 ]
The eponymous brand was established in 1962 by designer Yves Saint Laurent and his partner, Pierre Bergé. The brand's logos were designed in 1963 by A. M. Cassandre. [7] During the 1960s and 1970s, YSL popularized the beatnik look, safari jackets, tight pants, and thigh-high boots. In 1966, YSL debuted Le Smoking, a tuxedo suit
Its heroine and her story had resonated for Chanel since her youth. The flower was associated with the courtesan, who would wear a camellia to advertise her availability. [70] The camellia came to be identified with The House of Chanel; the designer first used it in 1933 as a decorative element on a white-trimmed black suit. [41]
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"The New Look," debuting Wednesday on Apple TV+, examines Christian Dior's connection to the French Resistance and Coco Chanel's role as a Nazi agent in World War II.
Coco Chanel used jersey cloth because of its physical properties as a garment, such as its drape – how it falls upon and falls from the body of the woman – and how well it adapted to a simple garment-design. Sartorially, some of Chanel's designs derived from the military uniforms made prevalent by the War; and, by 1915, the designs and the ...
The fashion show was held in a former bank near the Chanel headquarters on rue Cambon, rather than the Grand Palais exhibition hall where the event is typically held. [ 11 ] [ 6 ] The intimate location, near to Coco Chanel's previous residence at number 31, “emphasised the mythology of the fashion house.” [ 6 ] [ 7 ]