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A distinguishing factor of most French bagpipes is the placement of the tenor drone alongside the chanter rather than in the same stock as the bass drone. In the northern regions of Occitania: Auvergne, is found the (generally) bellows blown cabreta, and in Limousin the mouth blown chabreta. The cabrette is much played in areas of Paris where ...
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux . Both the chanters and the drones have a cylindrical bore and use a double reed , giving a quiet tone similar to the oboe .
The first clear reference to the use of the Scottish Highland bagpipes is from a French history that mentions their use at the Battle of Pinkie in 1547. George Buchanan (1506–82) claimed that bagpipes had replaced the trumpet on the battlefield.
Loure, a Norman bagpipe which gives its name to the French Baroque dance loure. Pipasso, a bagpipe native to Picardy in northern France; Sourdeline, an extinct bellows-blown pipe, likely of Italian origin; Samponha, a double-chantered pipe played in the Pyrenees; Vèze (or vessie, veuze à Poitiers), played in Poitou
The cornemuse du Centre France (or musette du Centre) (bagpipes of Central France) is a type of bagpipes native to Central France. [1] They have two drones, one an octave, one two octaves, below the tonic of the chanter. They can be found in the Bourbonnais, Berry, Nivernais, and Morvan regions of France and in different tonalities.
Bousine — a small, droneless bagpipe from Normandy [2] Cabrette — a bagpipe from Auvergne in Auvergne-Rhône-Alpes; Caramusa — a Corsican bagpipe made of wood, leather and reed; Chabrette — a bagpipe from Limousin in Nouvelle-Aquitaine; Cornemuse du Centre — a bagpipe from Central France; Loure — an ancient bagpipe from Normandy
The musette bressane (or mezeta, mus'ta, voire cabrette, brette or tchievra) is a type of bagpipe native to the historic French province of Bresse, in eastern France.. The instrument consists of one chanter with a double reed and conical bore, a high drone set in the same stock (which may have a single, or rarely a double, reeded drone), and a large bass drone with a single reed.
The cabrette comprises a chanter for playing the melody and a drone, but the latter is not necessarily functional. Though descended from earlier mouth-blown bagpipes, bellows were added to the cabrette in the mid-19th century. It is said that Joseph Faure, of Saint-Martin-de-Fugères en Haute-Loire, first applied a bellows to the cabrette ...