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The main image portrayed in Pichhwai paintings is Shrinathji.This 700+ years old form of Krishna, is the presiding deity worshipped at the Shrinathji Temple with many paintings showing the rituals and worship offered to the deity in the temple.
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Bani Thani, Kishangarh miniature from c. 1750, at the National Museum, New Delhi. Bani Thani was a singer and poet in Kishangarh in the time of Raja Sawant Singh (1748–1764), whose mistress she became.
Krishn Kanhai is a master in contemporary, portrait as well as traditional gold painting. He has, however, not confined himself to the traditional alone but has also introduced certain significant techniques of his own that makes the canvas aesthetically appealing and spiritually rich.
Devyani was regarded as 'India's foremost woman artist' of the day by the art critic Richard Bartholomew for her diverse body of works that she showcased in India and Europe. [2] Along with her husband Kanwal Krishna, she had traveled to the Himalayas and documented the arts & culture of the region through their artworks. Her paintings are ...
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Bani Thani, attributed to Nihâl Chand, National Museum, New Delhi An 18th century Rajput painting by Nihâl Chand. Nihâl Chand (1710–1782) was an Indian painter and poet who produced some of the best known examples of Rajput painting.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...