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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
Margarita "Tata" Cepeda (born 1945) is a Puerto Rican dancer, singer, teacher, and cultural icon known for her lifelong dedication to preserving and promoting the traditional Afro-Puerto Rican music and dance forms of bomba and plena. Affectionately nicknamed "La Mariposa de la Bomba" (The Butterfly of Bomba), Cepeda is celebrated for her ...
The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, [3] [4] around 1900. [5] It was influenced by the bomba style of music. [citation needed] Originally, sung texts were not associated with the plena, which was rendered by guitar, accordion and pandero, but eventually, in 1907, [citation needed] singing was added.
The Festival de Bomba y Plena de San Antón (English: San Anton's Bomba and Plena Festival), is an annual celebration held in Ponce, Puerto Rico, as an extravaganza celebration of Bomba and Plena music genres and the traditions of Ponce's barrio San Antón. The celebration lasts 10 days and it ends on a Sunday.
The Bomba is a music, rhythm and dance that was brought to Puerto Rico by West African slaves. The Plena is another form of Puerto Rican folkloric music of African origin. According to Cepeda, he was born while his mother Leonor was in the middle of a Bomba dance. He attended San Augustin Catholic School until the 8th grade in San Juan.
Los Pleneros de la 21 is a New York City-based drum and dance ensemble that has been active since 1983.They specialize in Afro-Puerto Rican bomba and plena music and related dance forms.
Plena Libre is a plena and bomba group. Their music follows traditional forms while also drawing on other styles of music. In a biographical summary of the group, Steve Huey of Allmusic observed that the group's blend of "contemporary dance arrangements...
While enthusiasts might on occasion dance to a plena, plena is not characteristically oriented toward dance. Old man playing the accordion in Old San Juan In the 1920s–30s plenas came to be commercially recorded, especially by Manuel "El Canario" Jimenez , who performed old and new songs, supplementing the traditional instruments with piano ...