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Theatrical scene with two comedic actors on a Sicilian red-figure calyx-krater c. 350 –340 BC.. Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play.
The cordax (Ancient Greek: κόρδαξ), [1] was a provocative, licentious, and often obscene mask dance [2] of ancient Greek comedy. [3] [4] In his play The Clouds, Aristophanes complains that other playwrights of his time try to hide the feebleness of their plays by bringing an old woman onto the stage to dance the cordax. He notes with ...
But the early release of dramatic tension is consistent with the holiday meanings in Old Comedy [59] and it allows the audience to relax in uncomplicated enjoyment of the spectacle, the music, jokes and celebrations that characterize the remainder of the play. The celebration of the hero's victory often concludes in a sexual conquest and ...
Parabasis: In Classical Greek comedy, parabasis is 'a speech in which the chorus comes forward and addresses the audience'. A parabasis is not featured in Lysistrata . Most plays have a second parabasis near the end, and a feature akin to a parabasis is used in this play as a replacement, however it comprises exclusively two songs (strophe and ...
The adjective "comic" (Greek κωμικός kōmikós), which strictly means that which relates to comedy is, in modern usage, generally confined to the sense of "laughter-provoking". [5] Of this, the word came into modern usage through the Latin comoedia and Italian commedia and has, over time, passed through various shades of meaning. [6]
In Greek mythology, Thalia (/ θ ə ˈ l aɪ ə / [1] [2] or / ˈ θ eɪ l i ə /; [3] Ancient Greek: Θάλεια; "the joyous, the flourishing", from Ancient Greek: θάλλειν, thállein; "to flourish, to be verdant"), also spelled Thaleia, was one of the Muses, the goddess who presided over comedy and idyllic poetry. In this context her ...
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The word humor is a translation of Greek χυμός, [3] chymos (literally 'juice' or 'sap', metaphorically 'flavor'). Early texts on Indian Ayurveda medicine presented a theory of three or four humors (doṣas), [ 4 ] [ 5 ] which they sometimes linked with the five elements ( pañca-bhūta ): earth, water, fire, air, and space.