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Effie Calavaza was born in 1927 in Zuni, New Mexico as Effie Lankeseon, [4] [5] where she lived her entire life. [6] She married Juan Calavaza (1910–1970), also a jewelry artist, who taught her the art. Until her husband's death in 1970, she signed her own work with her husband's signature, "JUAN C.–ZUNI".
Today, Zuni bird fetishes are often set with heishe beads in multi-strand necklaces. [63] Lanyade became the first Zuni silversmith in 1872. [44] Kineshde, a Zuni smith of the late 1890s, is credited for first combining silver and turquoise in his jewelry. [64] Zuni jewelers soon became known for their clusterwork.
The most important of these materials was turquoise which the Zuni regard as the sacred stone. Jet, shell (primarily mother-of-pearl), and coral are also frequently used. These materials and their associated colors are principle in the Zuni sunface, a cultural symbol which is present in Zuni jewelry and fetishes and represents their Sun Father.
David Moses Bridges (Passamaquoddy, 1962–2017), birchbark artist, canoe maker; Nora Thompson Dean (Touching Leaves Woman, Delaware), (1907–1984) Ishi, Yahi (ca. 1860–1916), bowmaker and flintknapper; Vanessa Jennings, Kiowa/Kiowa Apache/Gila River Pima (born 1952) Tomah Joseph (Passamaquoddy, 1837–1914), birchbark artist, canoe maker
Zuni also make fetishes and necklaces for the purpose of rituals and trade, and more recently for sale to collectors. The Zuni are known for their fine lapidary work. Zuni jewelers set hand-cut turquoise and other stones in silver. [24] Today jewelry-making thrives as an art form among the Zuni. Many Zuni have become master stone-cutters.
These marks are typically useful to distributors; [7] certification of the product quality (certification mark, for example, an assay mark). In the 17th century in the English cloth trade a new class of marks was created, now called trademarks: the cloth was required to contain both the maker's mark (initials of the maker) and the mark of the ...