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Ayeneh-kari in the main hall of Emarat-e Badgir, Golestan Palace, Tehran, Iran. Ayeneh-kari [1] (Persian: آینهکاری) is a kind of Iranian interior decoration where artists assemble finely cut mirrors together in geometric, calligraphic or foliage forms (inspired by flowers and other plants). [2]
The mirrors are considered one of the eight auspicious items or "ashtamangalyam" used in the entry of a bride at a wedding venue. [4] [1] Chief minister of Kerala Pinarayi Vijayan presented an Aranmula mirror to King Hamad of Bahrain during a visit there in 2017. The British Museum in London has an Aranmula mirror 45 centimeters tall in its ...
A self-contained infinity mirror used as a wall decoration. In a classic self-contained infinity mirror, a set of light bulbs, LEDs, or other point-source lights are placed around the periphery of a fully reflective mirror, and a second, partially reflective "one-way mirror" is placed a short distance in front of it, in a parallel alignment.
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
Romper Room is an American children's television series that was franchised and syndicated from 1953 to 1994. The program targeted preschoolers (children five years of age or younger), and was created and produced by Bert Claster and his presenter wife, Nancy Claster, of Claster Television.
Mirrors were viewed as metaphors for sacred caves and as conduits for supernatural forces; they were associated with fiery hearths and pools of water because of their bright surfaces. Mirrors were also closely associated with the sun. [6] Mirrors were often used in pre-Columbian Mexico to reveal a person's destiny through divination. [7]
Circle Mirror Transformation was developed at the Sundance Institute in 2008, directed by Sam Gold [8] and the New York Theatre Workshop, [9] with additional support from the Sundance Institute Time Warner Storytelling Fellowship. [10] The play is dedicated to "my wonderful director and five beautiful actors." [10]