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In most scriptures, Kama and Rati have two children, Harsha ("Joy") and Yashas ("Grace"). However, the Vishnu Purana mentions that they only have one son – Harsha. [3] Besides Rati, Kama's main assistant is Vasanta, the god of spring season, who was created by Brahma. Kama is served by a group of violent ganas known as the Maras.
The Harivamsa, an appendix to the epic Mahabharata, mentions that Kama and Rati have two children, Harsha ("Joy") and Yashas ("Grace"). However, the Vishnu Purana mentions that Rati, as Nandi, only has one son – Harsha. [9] The epics Mahabharata as well as the Ramayana, also attest to Rati being the consort of Kama. [10]
Indra devised a scheme with Kamadeva and Rati, who attempted to disrupt Shiva and beguile him with thoughts of love, accompanied by dancing apsaras and music. When Kamadeva shot his floral arrow at Shiva, he felt a powerful surge of attraction towards Parvati, but then observed the scheming Kamadeva and burnt him to ash.
In contemporary Indian literature, kama is often used to refer to sexual desire. However, Kama more broadly refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from the arts, dance, music, painting, sculpture, and nature. [1] [5] Kama can refer to "desire, wish, or longing". [2]
Accompanied by his friend Vasanta (the Vernal Season), Kama arrives where Shiva is meditating and Parvati is serving him. Upon his arrival, the trees and plants suddenly bloom, the earth dons a premature springtime beauty, and both animals and birds exhibit signs of love, even affecting the ascetics' ability to maintain their self-control.
Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 51st Melakarta rāgam in the 72 melakarta rāgam system of
There are fifteen pachivedes (chapters) and 800 verses in Ratirahasya which deal with various topics such as different physiques, lunar calendar, different types of genitals, characteristics of women of various ages, hugs, kisses, sexual intercourse and sex positions, sex with a strange woman, etc. [1] [2] Kokkoka describes various stages of love in Ratirahasya, the fifth stage being weight ...
HMV, EMI, RPG, AVM Audio, Inreco, Vani, Amutham Inc, Doordarshan, Super Audio, Geethanjali, Kosmic Music, Charsur Digital Workshop etc. Musical artist Madras Lalithangi Vasanthakumari (popularly referred to as MLV ) (3 July 1928 – 31 October 1990) was a Carnatic musician [ 1 ] and playback singer for film songs in many Indian languages.