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Ukiyo-e: The Art of the Japanese Print. Tuttle Publishing. ISBN 978-4-8053-1098-4. Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. ISBN 9780192114471 OCLC 5246796; Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei. ISBN 9789074822657 OCLC ...
Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603 ...
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Tadashi Nakayama (中山 正, Nakayama Tadashi, born 1927 Niigata, Niigata, died 2014) was a Japanese woodblock print artist, working in a style that combines influences from traditional Japanese ukiyo-e prints and Western painting. He studied oil painting at Tama Art College but left in 1947. [1] [2] [3]
Totoya Hokkei (魚屋 北渓, 1780–1850) was a Japanese artist best known for his prints in the ukiyo-e style. Hokkei was one of Hokusai's first and best-known students and worked in a variety of styles and genres and produced a large body of work in prints, book illustrations, and paintings.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Hishikawa Moronobu (Japanese: 菱川 師宣; 1618 – 25 July 1694) [1] was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. [2] He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e.
Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 8 July 1770) was a Japanese designer of woodblock print art in the ukiyo-e style. He was an innovator, the first to produce full-color prints ( nishiki-e ) in 1765, rendering obsolete the former modes of two- and three-color prints.