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The cover artwork, showing a donkey chasing a distant carrot, alludes to Badfinger's feelings that they had been misled by Apple. The cover was painted by Grammy Award-winning artist Peter Corriston, who would later create album covers for Led Zeppelin (Physical Graffiti) and the Rolling Stones (Some Girls, Tattoo You).
Although the album received a favourable review in Rolling Stone magazine and is sometimes considered to be the band's best work, it was withdrawn from record stores in early 1975, [5] seven weeks after release, because of a lawsuit between Warner music publishing and Badfinger's management. The album's abbreviated manufacturing run and short ...
The Best of Badfinger, Vol. 2: 1990 Day After Day: Live: 1995 Come and Get It: The Best of Badfinger: 1997 BBC in Concert 1972–1973: 2000 The Very Best of Badfinger: 2002 Live 83 – DBA-BFR: 2010 Magic Christian Music; No Dice; Straight Up; Ass (remastered albums on CD, with bonus tracks) 2010 Apple Records Extra: Badfinger: 2013 Timeless ...
Badfinger is the sixth studio album by British rock band Badfinger. The album was recorded in autumn 1973 and released in 1974 on Warner Bros. Records. It was the first of two albums released by the band on the Warner label. The cover art for the album shows a woman wearing a riding outfit and hat from the 1920s and smoking a cigarette in a ...
Airwaves is the eighth studio album released by British rock band Badfinger in 1979 on the Elektra label (a sister label to Warner Bros. Records, their previous label), the seventh album released that was credited to Badfinger. Anticipated as a comeback album for the group at the time, expectations were not quite realised, as the "group" now ...
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."
However, when the album was pulled from shelves in 1975 due to legal problems, the track, as well as the other eight songs from said album, became difficult to find (Wish You Were Here eventually saw CD release in 2007.) [1] "Meanwhile Back at the Ranch"/"Should I Smoke" has since appeared on many Badfinger compilation albums, such as The Very ...
Paul McCartney recorded a solo demo of the song on 24 July 1969, after arriving early for a Beatles recording session for their Abbey Road album. Singing the double-tracked lead vocal and playing all the instruments, he laid down the vocals and piano on the first take, sang again and played maracas on the first overdub, then added drums, and finally put in the bass guitar track.