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Aakhri Khat (transl. The Last Letter) is a 1966 Bollywood film written and directed by Chetan Anand.This film marked the debut of Rajesh Khanna. [1] The music of the film is by Khayyam and lyrics by Kaifi Azmi; it includes the song "Baharon Mera Jeevan Bhi Sanwaro", sung by Lata Mangeshkar.
Dushmun (transl. Enemy) is a 1972 Indian Hindi-language film produced by Premji and directed by Dulal Guha.It is based on a novel by Virendra Sharma. The film stars Rajesh Khanna in the title role and for which he received a Filmfare nomination as Best Actor, the only nomination for the film. [1]
The film stars Rajesh Khanna, Moushumi Chatterjee, Tanuja in lead roles. The music was by R. D. Burman and lyrics were by Anand Bakshi. The film was a remake of the 1970 Kannada film Baalu Belagithu, which was also remade in Telugu as Manchivadu (1973) and in Tamil as Oorukku Uzhaippavan (1976).
The film stars Rajesh Khanna, Babita, I. S. Johar and Asit Sen. The film's music is by Kalyanji Anandji. This was meant to be the debut film for both Rajesh Khanna and Babita but due to delays, was released a year after their debuted in other films. Khanna's performance in this film was critically appreciated. [2]
Avtaar is a 1983 drama film starring Rajesh Khanna and Shabana Azmi. It was directed by Mohan Kumar, and the music was by Laxmikant Pyarelal, and lyrics by Anand Bakshi. Avtaar was critically acclaimed and earned around ₹ 8 crore worldwide. [1] The film earned several Filmfare award nominations. Rajesh Khanna received an All-India Critics ...
The background music used in the emotional scenes of the film is based on the tune of the song "Koi Hota Jisko Apna" from Mere Apne, which was released later the same year. The music for both films was composed by Chowdhury. Anand was one of Rajesh Khanna's few films that do not feature his longtime collaborator Kishore Kumar in their soundtracks.
The film stars Rajesh Khanna and Zeenat Aman in the lead supported by Prem Chopra, Asrani, Madan Puri, Yogeeta Bali and Asit Sen. The film's music is by R.D. Burman. The song Hum Dono Do Premi is a four-minute train sequence in the film and it was the first song to be shot fully on the top of the train.
Pyarelal quoted in an interview "Rajesh Khanna had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R. D. Burman) and we accepted Shakti Samanta's Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him."