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Lime plaster is a type of plaster composed of sand, water, and lime, usually non-hydraulic hydrated lime (also known as slaked lime, high calcium lime or air lime). Ancient lime plaster often contained horse hair for reinforcement and pozzolan additives to reduce the working time.
The binder is a combination of silica sol and water glass. The organic fraction is limited to 5 mass percent similar to dispersion silicate paint allowing for chemical setting and retaining of the silicate specific advantages. The sol silicate paint allows use on non-mineral plaster. [4] For these the bonding occurs chemically and physically.
Lime plaster was a common building material for wall surfaces in a process known as lath and plaster, whereby a series of wooden strips on a studwork frame was covered with a semi-dry plaster that hardened into a surface. The plaster used in most lath and plaster construction was mainly lime plaster, with a cure time of about a month. To ...
Roughcast or pebbledash is a durable coarse plaster surface used on outside walls that consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. [1] The materials are mixed into a slurry and are then thrown at the working surface with a trowel or scoop.
A plaster relief picture made from shikkui. Shikkui (漆喰) is an ecological nontoxic Japanese lime plaster primarily made out of hydrated lime and calcium carbonate coming from reprocessed eggshells. It is mainly used for surface coatings of walls and ceilings in housing construction.
Harling is a rough-cast wall finish consisting of lime and aggregate, known for its rough texture. [1] Many castles and other buildings in Scotland and Ulster have walls finished with harling. It is also used on contemporary buildings, where it protects against the wet Scottish and Ulster climates and eliminates the need for paint.
Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.
the plaster is applied in one thick coat with a wooden float, and smoothed with the same. before the plaster sets, a flat, smooth, hard stone is used to compress the plaster, then a plastic trowel used for the final polish. it is mechanically polished using stones or abrasives harder than the plaster, providing a smooth, sometimes shiny, finish.