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Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster ...
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
When present, the tempo di mezzo generally signals a shift in the drama from the slow cantabile of the first part to the cabaletta of the second, and this can take the form of some dramatic announcement or action to which the character(s) react in the cabaletta finale. [16] tempo di valzer Waltz tempo tempo giusto In strict time
The tempo of a slow movement can vary from largo to andante, though occasionally allegretto slow movements can be found, especially in works by Beethoven. It is usually in the dominant , subdominant , parallel , or relative key of the musical work's main key, but also in any variation or combination of them; the subdominant of the relative ...
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
[clarification needed] In popular use, beat can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications.
Vilambit (Hindi: विलंबित; also called vilambit laya) is an introductory slow tempo, or laya, between 10 and 40 beats per minute, used in the performance of a raga in Hindustani classical music.
The larger the beat value of the meter, the slower the tempo. Therefore, meters with beat values of a minim/half note (e.g. 2 2, 3 2) should be performed with a slow tempo; those with quaver/eighth note beats (e.g. 3 8) are fast; while those with crotchet/quarter note beats (e.g. 2 4, 3 4, 4 4) are performed