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The L5S was a unique high-end solid body, and once Gibson adorned it with super humbuckers, famous guitarists took notice, especially jazz and fusion virtuosos like Pat Martino and John McLaughlin. Additionally other players picked up the L5S such as Paul Simon and others including possibly Keith Richards at one time.
The current L6S neck does not feature the unique "narrow at the nut and wider near the body" taper of the 1970s guitar, but a conventional Gibson shape. The chamfered body shape and 24 frets are of similar design to the 1970s classic, except that the newer version is a two-piece maple body, as opposed to a one-piece bodywork on the original.
Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include comping with jazz chord voicings (and in some cases walking bass lines) and blowing (improvising) over jazz chord progressions with jazz-style phrasing and ornaments. Comping refers to playing chords underneath a song's melody or another ...
One example is the thin-bodied "L-5 CT" (cutaway thin), which has the same overall specifications, with the exception of the body thickness. The CT model was first constructed for George Gobel, who wanted a less bulky guitar. Another variation of the L-5 is the Wes Montgomery model, named for the popular 1950s and 1960s jazz guitarist. The Wes ...
A dreadnought acoustic guitar with laminated spruce top, available also as an acoustic/electric with built-in pickup and pre-amp and a third version adding built-in tuner, with 20 frets, 25.3" scale length, 1.69" width at nut, 2.24" width at heel and 3.94"–4.92" body depth. A 3/4 scale "Starcaster Colt" acoustic guitar.
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.