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The California sound is a popular music aesthetic [nb 1] that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth , an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs.
In the song, she expresses the depth of her longing for California despite considering herself a member of the counterculture. [2] Like "Carey", "California" takes the form of a travelogue, and uses a stream of consciousness narrative technique. [3] [4] Pitchfork critic Jessica Hopper describes both songs as "how-Joni-got-her-groove-back ...
The song begins with different sounds evoking the street: a door that slams, an English voice in a loudspeaker, a siren of a police car. Farmer then referred to her desire to live in America to make a new start in her life. [6] [7] The song has a "nagging rhythm" and "Anglo-Saxon sonorities". [8] Lyrics play with "anglicisms, sounds and ...
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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
"California, Here I Come" is a song interpolated in the Broadway musical Bombo, starring Al Jolson. The song was written by Bud DeSylva, Joseph Meyer, and Jolson. [1] Jolson recorded the song on January 17, 1924, with Isham Jones' Orchestra, in Brunswick Records' Chicago studio. [2] It is often called the unofficial state song of California.
Half a century after release, the country star's song based loosely on a flirtation between her husband and a bank teller is Parton's most covered creation.
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it.