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The company started out creating mobile apps that teach learners around the world how to play musical instruments, initially the piano and recorder and later branching out to other instruments such as guitar [1] with an interactive note recognition engine called MusicSense [2] that listens to the learner's playing and offer real-time feedback ...
On a cello, the strings are attached to the tailpiece and are held above the soundboard by the bridge.. A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air.
This is the standard bracing pattern on the classical guitar, dating to the work of Antonio Torres Jurado in the 19th century. Although the originator of this bracing style has not been reliably established, the earliest known use is by Spanish luthier Francisco Sanguino in the mid to late 18th century.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon , it is a precursor of the modern steel-string acoustic and electric guitars , both of which use metal strings .
A stoptail bridge (sometimes also called a stopbar bridge) used on a solid body electric guitar or archtop guitar is a specialized kind of fixed hard-tail bridge. Hard-tail bridged guitars use different bridges from those guitars fitted with vibrato systems (which are also known as tremolo arms or whammy bars).
CREATIVE GUITAR - Classical Guitar resource website and blog. Left-Hand Trouble Shooting by Peter Kun Frary, Professor of Music • University of Hawaii, Leeward. The Classical Guitar Express Free newsletter on practicing Classical Guitar by Tom Prisloe "Rest Stroke and Free Stroke Revisited" by Ricardo Iznaola, in PDF or HTML; How to play ...
While most classical guitar makers are today mainly concerned with making modern classical guitars with their typical fan-bracing or experimenting to make the instrument louder (e.g., "thin-top lattice-braced", "double-top", with results that are not without criticism [45]); they seem to give little consideration to historical sound ideals, or ...