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Each chapter in The Souls of Black Folk begins with a pair of epigraphs: text from a poem, usually by a European poet, and the musical score of a spiritual, which Du Bois describes in his foreword ("The Forethought") as "some echo of haunting melody from the only American music which welled up from black souls in the dark past". [1]
New tales tell of the African experience in the Americas; however, many tales still maintain the traditional style and tell of their African roots. Although many of the original stories evolved since Africans were brought to the Americas as slaves, their meanings and life lessons have remained the same.
Four Hundred Souls: A Community History of African America, 1619–2019 is a 2021 anthology of essays, commentaries, personal reflections, short stories, and poetry, compiled and edited by Ibram X. Kendi and Keisha N. Blain.
The People Could Fly: American Black Folktales is a 1985 collection of twenty-four folktales retold by Virginia Hamilton and illustrated by Leo and Diane Dillon. They encompass animal tales (including tricksters ), fairy tales , supernatural tales , and tales of the enslaved Africans (including slave narratives ).
In his 1903 book The Souls of Black Folk, Du Bois used the phrase in his introduction, titled "The Forethought", writing: "This meaning is not without interest to you, Gentle Reader; for the problem of the Twentieth Century is the problem of color line". The phrase occurs again in the book's second essay, "Of the Dawn of Freedom", at both its ...
The following other wikis use this file: Usage on en.wikisource.org Index:W. E. B. Du Bois - The Gift of Black Folk.pdf; Page:W. E. B. Du Bois - The Gift of Black Folk.pdf/1