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The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
The most common forms use wax, some type of paste made from starch or mud, [1] or a mechanical resist that manipulates the cloth such as tying or stitching. Another form of resist involves using a dye containing a chemical agent that will repel another type of dye printed over the top. The best-known varieties today include tie-dye, batik, and ...
The technique seems to have been to soak a real leaf in the glaze mixture, then place it on the vessel, where the leaf itself burnt away in firing. [9] Another, rather rare, resist glaze effect is called "leopard-spot". [10] "Deer-spot" decoration, with rows of light brown spots with a white centre, was painted into place. [11]
The glazed surface, usually a narrow border, is transfer printed with a wax-like resist, after which the glaze is etched with dilute hydrofluoric acid prior to application of the gold, after which the design's raised elements are selectively burnished to give a bright and matte surface; the process demands great skill and is used for the ...
These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay. Wax resist, which is painted over the bare clay, is a suspension of wax in water; [ 17 ] the glaze does not cover the area where the wax resist was applied, thus creating a design.
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The wax resist-dyeing technique has been used for centuries in Java, where certain motifs had symbolic meaning and prescribed use, indicating a person's level in society. [57] It is an essential component in the attires of Javanese royal palaces, [ 58 ] [ 59 ] worn by monarchs, nobilities, abdi (palace staff), guards, and dancers .