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AFI defines an "American screen legend" as "an actor or a team of actors with a significant screen presence in American feature-length films (films of 40 minutes or more) whose screen debut occurred in or before 1950, or whose screen debut occurred after 1950 but whose death has marked a completed body of work."
Gwyllyn Samuel Newton Ford (May 1, 1916 – August 30, 2006), known as Glenn Ford, was a Canadian-born American actor. He was most prominent during Hollywood's Golden Age as one of the biggest box-office draws of the 1940s, 1950s, and 1960s, and had a career that lasted more than 50 years.
All the President's Men: 1976: Historical figures 28 Juror #8 (Davis) Male Henry Fonda (2) 12 Angry Men: 1957: 29 General George Patton: Male George C. Scott: Patton: 1970: Historical figure; received Academy Award 30 Lucas "Luke" Jackson Male Paul Newman (2) Cool Hand Luke: 1967: Nominated for Academy Award 31 Erin Brockovich: Female Julia ...
Robert Taylor (born Spangler Arlington Brugh; August 5, 1911 – June 8, 1969) was an American film and television actor and singer who was one of the most popular leading men of his era. Taylor began his career in films in 1934 when he signed with Metro-Goldwyn-Mayer. He won his first leading role the following year in Magnificent Obsession.
Men with Steel Faces: Otto Brower, B. Reeves Eason: Gene Autry, Frankie Darro, Betsy King Ross, Dorothy Christy: science fiction Western—a feature-length re-edit of the 1935 serial 'The Phantom Empire' Murder on the Yukon: Louis J. Gasnier: James Newill, Polly Ann Young, Dave O'Brien: Northern Western My Little Chickadee: Edward F. Cline
In 1991, Patrick Swayze had become one of Hollywood's favorite leading men thanks to "Dirty Dancing" and "Ghost." The actor died in 2009. The actor died in 2009. 1990: Tom Cruise
It’s a pretty sweet time to be a top executive in Hollywood. A series of high-profile mergers and acquisitions, and the arrival of some tech giants looking to break into the entertainment ...
By the 1940s, Hollywood's effects specialists had over a decade of studio experience. Technicolor had been especially challenging but faster film introduced in 1939 began to make Technicolor a viable option for studio production. Rear projection in color remained out of reach until Paramount introduced a new projection system in the 1940s.