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In his notes accompanying the full set of recordings of Prokofiev's sonatas by Boris Berman, David Fanning states the following: . Whether the restrained, even brooding quality of much of the Fourth Sonata relates in any direct way to Schmidthof's death is uncertain, but it is certainly striking that the first two movements both start gloomily in the piano's low register.
The Early Sonatas. Piano Sonata No. 3 (Op. 2, No. 3), No. 4 (Op. 7), No. 12 (Op. 26). Three Oranges Recordings 3OR-27 (2020) Rachmaninoff, Prokofiev & Ramey. Rachmaninoff Second Piano Sonata (earlier, uncut version), Six Moments Musicaux, Prokofiev Tenth Sonata fragment (1953), plus the first performance of Phillip Ramey's Tenth Piano Sonata ...
Piano Sonata No. 3 (Prokofiev) Piano Sonata No. 4 (Prokofiev) Piano Sonata No. 5 (Prokofiev) Piano Sonata No. 6 (Prokofiev) Piano Sonata No. 7 (Prokofiev)
Sergei Prokofiev's Piano Sonata No. 7 in B ♭ major, Op. 83 (occasionally called the "Stalingrad") [citation needed] is a sonata for solo piano, the second of the three "War Sonatas", composed in 1942. The sonata was first performed on 18 January 1943 in Moscow by Sviatoslav Richter. [1]
Sergei Prokofiev's Piano Sonata No. 3 in A minor, Op. 28 (1917) is a sonata composed for solo piano, using sketches dating from 1907. Prokofiev gave the première of this in Saint Petersburg on 15 April 1918, during a week-long festival of his music sponsored by the Conservatory.
The revised Symphony No. 4 was thus not performed in the Soviet Union until 1957, after the composer's death. [15] Gennadi Rozhdestvensky, 2007. Symphony No. 4 Op. 112 had three significant premiere performances. The first premiere was Sir Adrian Boult conducting the BBC Symphony Orchestra in a radio broadcast on March 11, 1950. [25]
Sergei Prokofiev's Piano Sonata No. 2 in D Minor, Op. 14, is a sonata for solo piano, written in 1912.First published by P. Jurgenson in 1913, it was premiered on 5 February 1914 in Moscow with the composer performing.
Prokofiev's last piano concerto dates from 1932, a year after he finished the fourth piano concerto, whose solo part is for left hand only.According to the composer, he was then inspired to write another for two hands, whose intended simplicity was reflected in the desire to call it, not a concerto, but rather 'Music for Piano and Orchestra.'