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The marble-and-bronze tomb monument of Antipope John XXIII (Baldassare Cossa, c. 1360–1419) was created by Donatello and Michelozzo for the Florence Baptistry adjacent to the Duomo. It was commissioned by the executors of Cossa's will after his death on 22 December 1419, and completed during the 1420s, establishing it as one of the early ...
In 1410, he succeeded Antipope Alexander V, taking the name John XXIII. At the instigation of King Sigismund of Germany, Pope John called the Council of Constance of 1413, which deposed John XXIII and Benedict XIII, accepted Gregory XII's resignation, and elected Pope Martin V to replace them, thus ending the schism. John XXIII was tried for ...
The tomb of Antipope John XXIII in Florence The martyrdom of Hippolytus of Rome Christopher, who was regarded as a legitimate pope until the 19th century, was buried among the papal tombs in Old St. Peter's Basilica. Benedict X's corpse is still intact in Sant'Agnese in Agone.
The Tomb of Antipope John XXIII was created by Donatello and Michelozzo for the Florence Baptistery adjacent to the Duomo.It was commissioned after Antipope John XXIII's death on December 22, 1419, and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence.
An antipope is a historical papal claimant currently regarded by the Roman Catholic Church as illegitimate. Notably, however, the Tomb of Antipope John XXIII is in the Battistero di San Giovanni in Florence. Santi Vincenzo e Anastasio a Trevi, the resting place of the precordium of 22 popes from Sixtus V (1585–1590) to Leo XIII (1878–1903).
The Tomb of Antipope John XXIII is the marble tomb monument for Antipope John XXIII, Baldassare Coscia, created by Donatello and Michelozzo, and located in the Florence Baptistry adjacent to the Duomo.
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The Tomb of Antipope John XXIII was created by Donatello and Michelozzo for the Florence Baptistery adjacent to the Duomo.It was commissioned after Antipope John XXIII's death on December 22, 1419, and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence.