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Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Amplification is thus a set of strategies which, taken together, constitute inventio, one of the five classical canons of rhetoric. As a means of developing multiple forms of expression for a thought, amplification "names an important point of intersection where figures of speech and figures of thought coalesce."
Expository writing is a type of writing where the purpose is to explain or inform the audience about a topic. [13] It is considered one of the four most common rhetorical modes. [14] The purpose of expository writing is to explain and analyze information by presenting an idea, relevant evidence, and appropriate discussion.
It is also important for speakers to be aware of events that might happen during the moment of a speech, like outside noise, the technology that can be used during the event, as well as the weather conditions on the day, so it can be easier for him/her to connect with the audience and not be disturbed during the speech. [3] An example would be ...
In science writing, attitude marking is a valuable technique that is used to bring humanity into a body of text. To a non-expert audience, scientific information can seem dry and difficult to consume, and attitude marking allows readers to gauge the way they might feel inclined to react to the information they are taking in.
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
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However, he found danger in using the style. If the audience was not sufficiently prepared for a major speech, he claimed that it would appear as if the speaker were inebriated. He believed it necessary for a speaker to fully appreciate the two other styles—plain and middle—used respectively for 'teaching' and for 'pleasing'.