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"Personality Crisis" is the lead track from the New York Dolls' self-titled debut album. It was written by Dolls lead singer David Johansen and guitarist Johnny Thunders . [ 4 ] An early demo version of it appears on the 1981 collection Lipstick Killers – The Mercer Street Sessions 1972 .
Personality Crisis" features raunchy dual guitars, boogie-woogie piano, and a histrionic pause, while "Trash" is a punky pop rock song with brassy singing. [ 26 ] Top: World Trade Center skyline at night, 1971
The Showtime documentary, Personality Crisis: One Night Only, was released on April 14, 2023. [20] Scorsese was joined in the making of the film by his frequent co-director David Tedeschi, and, with Johansen, Scorsese was interviewed about the film by MSNBC host Joe Scarborough. [21]
After catching the musician's act, the director saw a "poignancy to it, and a beauty." He was inspired to make "Personality Crisis: One Night Only," a performance film as ode to a lifetime of rock ...
Personality crisis may refer to one or more personality problems: Existential crisis; Identity crisis, undeveloped or confused identity; Midlife crisis; It may also refer to: Personality Crisis (band), a Canadian punk rock group; Personality Crisis, an album by The Bear Quartet "Personality Crisis" (song), the lead track from the New York Dolls ...
Showtime has unveiled an April 14th premiere date for their documentary Personality Crisis: One Night Only, on New York Dolls frontman David Johansen, also debuting a trailer for the pic directed ...
Ken Tucker, who referred to them as a proto-punk band, wrote that they were strongly influenced by the "New York sensibility" of Lou Reed: "The mean wisecracks and impassioned cynicism that informed the Dolls' songs represented an attitude that Reed's work with the Velvet Underground embodied, as did the Dolls' distinct lack of musicianship." [8]
"Trash" was released by Mercury Records as a double A-side with the song "Personality Crisis" in July 1973. The single did not chart. [6] In her review for The New Yorker at the time, music critic Ellen Willis wrote that the song is a "transcendent" highlight on an album full of "instant classics". [7]