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The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
The most common forms use wax, some type of paste made from starch or mud, [1] or a mechanical resist that manipulates the cloth such as tying or stitching. Another form of resist involves using a dye containing a chemical agent that will repel another type of dye printed over the top. The best-known varieties today include tie-dye, batik, and ...
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Adherence is the adhesive strength between photoresist and substrate. If the resist comes off the substrate, some features will be missing or damaged. Etching resistance Anti-etching is the ability of a photoresist to resist the high temperature, different pH environment or the ion bombardment in the process of post-modification. Surface tension
Rōketsuzome (Japanese: 蝋纈染め) sometimes shortened to rōzome (ろう染め), is a traditional wax-resist textile dyeing technique in Japan, akin to Indonesian batik. References [ edit ]
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Renaissance Wax 200ml Can Lid of Renaissance Wax can, embossed with a royal warrant from Queen Elizabeth. Renaissance Wax is a brand of microcrystalline wax polish used in antique restoration and museum conservation around the world. Commonly used to polish and conserve metal objects, it is also used on gemstones and such organic materials as ...
Limoges enamel is the best known type of painted enamel, using this from the 16th century onwards. [32] Most traditional painting on glass, and some on ceramics, uses what is technically enamel, but is often described by terms such as "painted in enamels", reserving "painted enamel" and "enamel" as a term for the whole object for works with a ...