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The Old English word bēot comes from earlier bíhát meaning 'promise'. The original noun-form of bēot corresponds to the verb bi-, be-ˈhátan.A shifting of the stress from bíhát to bi-ˈhát, on analogy of the verb, gave the late Old English beˈhát, from which the Middle English word behote derives. [6]
Various sentences using the syllables mā, má, mǎ, mà, and ma are often used to illustrate the importance of tones to foreign learners. One example: Chinese: 妈妈骑马马慢妈妈骂马; pinyin: māma qí mǎ, mǎ màn, māma mà mǎ; lit. 'Mother is riding a horse... the horse is slow... mother scolds the horse'. [37]
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Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities.. Boasting occurs when someone feels a sense of satisfaction or when someone feels that whatever occurred proves their superiority and is recounting accomplishments so that others will feel admiration or envy.
Flyting is a ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval [8] [9] and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures.
The abbreviation e.g. stands for the Latin exempli gratiā "for example", and should be used when the example(s) given are just one or a few of many. The abbreviation i.e. stands for the Latin id est "that is", and is used to give the only example(s) or to otherwise qualify the statement just made.
The Complete Plain Words, titled simply Plain Words in its 2014 revision, is a style guide written by Sir Ernest Gowers, published in 1954.It has never been out of print. It comprises expanded and revised versions of two pamphlets that he wrote at the request of HM Treasury, Plain Words (1948) and ABC of Plain Words (195
The French actress Sarah Bernhardt was considered insufficiently understated in English terms. Photograph by Félix Nadar, c. 1864. This attitude of understatement was exemplified by a comment upon Sarah Bernhardt's violent depiction of Cleopatra in the 1891 play of that title: "How different, how very different, from the home life of our own dear Queen!"