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A khene player in Isan. The khaen (/ ˈ k ɛ n /; spelled "Khaen", "Kaen", "Kehn" [1] or "Ken" in English; [2] Lao: ແຄນ, pronounced; Thai: แคน, RTGS: khaen, pronounced; Northeastern Thai: แคน, pronounced [kʰɛ᷇ːn]; Khmer: គែន – Ken; Vietnamese: khèn or kheng) is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed ...
The Khene (Lao: ແຄນ) is the instrument most identified with Laotian music. A national proverb says that "a person living under a stilted house, eating sticky rice, listening to any music related to Lam (Lao: ລຳ) or Morlam, and playing the Khene is likely to be Lao or associated with Lao people." Khenes are made from a special kind of ...
In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a 'song'. The Lao-speaking people across the river in Isan call the music หมอลำ, mo lam, /mɔ̌ː lám/, which refers to both the singer and the musical style, while in Laos, the equivalent term ໝໍລຳ, molam ...
The Lao term ເພງລາວເດີມ "peng Lao deum" (traditional Lao songs) describes the Royal Court music of Laos. Historical records indicate that an indigenous classical tradition existed, which was mainly influenced by ancient Khmer traditions and mountainous ethnic groups.
Lam saravane [1] (Lao: ລຳສາລະວັນ, Thai: ลำสาละวัน) is a popular folksong originally from the southern province of Saravane Province of Laos, [2] but popular throughout the Lao-speaking world, including the Isan region of Thailand, [3] but it is also regarded as a traditional folksong and dance of Khmer culture.
Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]). In Isan, both terms are interchangeable, but in Laos, morlam only refers to the singer.
Khene can be found at northeast Thai-Lao regions, and it is considered as national instrument in Laos. [6] Today, Khene can be found in four sizes with six, fourteen, sixteen and eighteen pipes. [6] In upper Myanmar and northern Laos, the mouth organ is in a raft form with two rafts of pipes cross inside the windchest, and one of them either ...
The cycles are repeated according to the length of the music. The beautiful arm and hand gestures are combined harmoniously with rhythmic musical instruments, such as khene, a Lao bamboo flute. As there are diverse ethnic groups living in various regions of Laos, there are many specific choreographic styles throughout the country, reflecting ...