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In the 1950s, they produced chalkware lamps, usually featuring paired male and female figures, and other home decor that is widely collected today. The company employed many immigrant artisans to design the chalkware and plaster figures and produce the statues, lamps, home decor pieces and display advertising figures. Jack's wife was from ...
Some Fostoria oil and electric lamps and hand-decorated vases, 1904. In 1899, the company became associated with the National Glass Company, which was a corporate trust. Co-founder Lucien Martin left the firm in 1901 to work in Pittsburgh for National Glass. Another co-founder, William Brady, also moved to the Pittsburgh firm a short time later ...
Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [ 25 ] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [ 26 ]
The original factory was in an old glass factory in Martins Ferry, Ohio, in 1905. [1] The factory at one time was owned by the former West Virginia Glass Company. [2] At first they painted glass blanks from other glass makers, but started making their own glass when they became unable to buy the materials they needed. [2]
Modern electric light fixture sconces are often used in hallways or corridors to provide both lighting and a point of interest in a long passage. Sconce height in a passageway is generally 3/4 of the distance up the wall as measured from the floor to the ceiling, and the distance between sconces on the wall is generally equal to the distance of ...
MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.