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Rajaraja Cholan (1973) was the first Cinemascope film in South India, which was coloured by Eastmancolor. Films such as Veerabhimanyu (1965), Thunaivan (1969), Swathi Natchathiram (1974), Andharangam (1975) and Mazhai Maegham (1976) were among films "partly coloured" by Eastmancolor, while entirely Eastmancolor-shot films like Kannamma (1972 ...
Kisan Kanya is a 1937 Indian Hindi-language film directed by Moti Gidwani and produced by Ardeshir Irani under the banner of Imperial Pictures. Made using Cinecolor, the film is based on a novel by Saadat Hasan Manto that highlights the struggles of poor farmers. [2] The film is historically significant as India’s first indigenously made ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Having achieved success in Hindi cinema by releasing India's first sound film Alam Ara in 1931, Irani wanted to expand his scope to South Indian cinema. Bhakta Prahlada was released on 6 February 1932, and was positively received by the audience but variedly by critics, who panned its resemblance to the stage version, poor sound recording, and ...
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
Films from 1903 to 1935 that were photographed at least partially in color, including early uses of Technicolor for example. This does not include black and white films that were tinted, hand-painted or colorized .
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Cinema of South India, refers to the cinema of the four major film industries in South India; primarily engaged in making feature films in the four major languages of the region, namely — Telugu, Tamil, Kannada and Malayalam. They are often colloquially referred to as Tollywood, Kollywood, Sandalwood and Mollywood, respectively.