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Wood-engraving was his primary method at this time. [5] In the late 1840s and early 1850s, he made several text comics, like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851) and L'Histoire de la Sainte Russie (1854).
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
London: A Pilgrimage is a book first published by Grant & Co in 1872, with text by the English journalist William Blanchard Jerrold and illustrations by the French artist Gustave Doré. It was originally published in 13 parts, with 191 pages and illustrations, and then serialised in Harper's Weekly. It has been described as a populist picture book.
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure.
One of those works was Gustave Doré's 1872 engraving of Newgate prison yard in London. (swipe left). The painting shows a group of prisoners walking in circles around a small prison yard that ...
Engraving by Gustave Doré for an 1876 edition of the poem. The Albatross depicts 17 sailors on the deck of a wooden ship facing an albatross. Icicles hang from the rigging. "The Albatross about my Neck was Hung", etching by William Strang, published 1896. The sailors change their minds again and blame the mariner for the torment of their thirst.