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Landscape with Figures and Animals is a 1763 landscape painting by the French artist Philip James de Loutherbourg. [1] It was the first painting the young Alsatian artist publicly exhibited. He submitted it to the Salon of 1763 at the Louvre in Paris where the art critic Denis Diderot 's praise of it helped launch his career. [ 2 ]
Stanley Royle had a full and academic knowledge of every aspect of painting and an ability to capture the atmospheric quality of natural lighting on the landscape. He thought nothing of pitching his easel in the middle of a stream and standing knee deep in water, whatever the weather, if that gave him the view he wanted to capture. [ 13 ]
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
In 1840, along with Asher Durand and John William Casilear, Kensett traveled to Europe to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th-century Dutch landscape painting. Kensett ...
Jan van Goyen (1596–1656) (Art UK): A Cottage on a Heath (Art UK), A River Landscape (Art UK), A River Scene, with a Hut on an Island (Art UK), A River Scene, with Fishermen laying a Net (Art UK), A Scene on the Ice by a Drinking Booth: A Village in the Distance (Art UK), A Scene on the Ice near Dordrecht (Art UK)
Landscape with the Fall of Icarus (de Momper) Landscape with the Finding of Moses; Landscape with the Good Samaritan; Landscape with the Port of Santa Marinella; Landscape with the Temptation of Christ; Landscape with the Temptation of St Anthony (Lorrain) Landscape with the Temptation of St Anthony (Savery) Landscape with Three Figures
Crossing the Brook is an 1815 landscape painting by the British artist J.M.W. Turner. It depicts a view towards Plymouth down the Tamar valley. Turner gave the English countryside an Italianate look. [1] He produced it based on sketches he had made during a trip to Devon in 1813. [2]
The painting, an oil on canvas, is based on Jan Vermeer's A View of Deflt, and was selected by a jury that included Peter Blake, Tracey Emin, and Jason Brooks. [ 3 ] John Spurling , writing for The Spectator in 2009, described him as "a bold and ambitious artist using the past to rediscover and repossess the natural world of our own time ...