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In the arts of vase-painting and mosaic, Amphitrite was distinguishable from the other Nereids only by her queenly attributes. In works of art, both ancient ones and post-Renaissance paintings, Amphitrite is represented either enthroned beside Poseidon or driving with him in a chariot drawn by sea-horses ( hippocamps ) or other fabulous ...
The vase measures 53.5 cm high and 22.5 cm in diameter. It dates to between 520 and 510 BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria. As a bilingual vase, it is an important archaeological source for the transition from attic black-figure pottery to the red-figure style. Bilingual vases ...
This corpus was then attributed by John D. Beazley to the Andokides Painter, a name derived from the potter Andokides, whose signature appears on several of the vases bearing the painter's work. [2] He is often credited with being the originator of the red-figure vase painting technique.
Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the ...
This arrangement is clear in the Flowers in a Ceramic Vase (c. 1620, Royal Museum of Fine Arts Antwerp). The vase in which the flowers are arranged is decorated with motifs in relief. The two cartouches - separated by a fantastic figure - show Amphitrite, a sea goddess from Greek mythology, on the left, and Ceres, the Roman corn goddess, on the ...
The Revellers Vase is a Greek vase originating from the Archaic period. Painted around 510 BCE in the red-figure pottery style, the vase was found in an Etruscan tomb in Vulci , Italy. The painting is attributed to Euthymides .
The Triumph of Neptune and Amphitrite (or Birth of Venus) by Nicolas Poussin, painted in 1635 or 1636, is a painting housed in Philadelphia in the Philadelphia Museum of Art. [1] It is in oil on canvas (114,4 x 146,6 cm) and shows a group of figures in the sea near a beach, with putti flying over their heads.
Black-figure painting on vases was the first art style to give rise to a significant number of identifiable artists. Some are known by their true names, others only by the pragmatic names they were given in the scientific literature. Attica especially was the home of well-known artists. Some potters introduced a variety of innovations which ...