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Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.
Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.. The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of patterns – landscapes, flowers, birds, animals and human figures.
Chinese paper folding, or zhezhi , is the art of paper folding that originated in medieval China. The work of 20th-century Japanese paper artist Akira Yoshizawa widely popularized the Japanese word origami ; however, in China and other Chinese-speaking areas, the art is referred to by the Chinese name, zhezhi .
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Chinese paper cutting (剪纸, jianzhi) is a type of folk art that has roots in China during the 6th century and is attributed to Cai Lun during the Han Dynasty. Known to be very intricate with the use of negative space, paper cutting is used for mostly decorative reasons, appearing on mirrors, lanterns, walls, etc.
The origin of Qinhuai lantern colour can be traced back to the Eastern Wu period, it draws on the traditional Chinese paper tie, painting, calligraphy, paper cutting, shadow puppetry, embroidery, sculpture and other arts, in the production of integrated carpentry, lacquer, painting, carving, clay sculpture, knotting and many other technical means.
The museum contains paper-cut works by Zhang Xiufang and Zhang Muli, in addition the museum contains lamps decorated with paper cuts. [7] In 2016, the museum organized an exhibition with works by Hsing Yun. The museum also houses works by Zhao Hongmei and Zhang Yongshou. [8] The museum is divided into four sections [9]