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Italian ballet is the training methods [citation needed] and aesthetic qualities seen in classical ballet in Italy. Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance. Two predominant training systems are used to teach Italian ...
The influence of politics and current affairs on the evolution of ballet is well-documented, and during Dell'Era‘s time as a leading ballerina in Russia, dancers were influenced by the rise of expressionism and increasing opposition to the rigidity of classic ballet; [3] she had in fact received better critical reception for her role as ...
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Barbara Campanini, known as La Barbarina, (27 September 1719 – 7 June 1799) was an Italian ballerina, one of the most important ballet dancers of the 18th century. Life [ edit ]
The etymology of the word "ballet" reflects its history. The word ballet comes from French and was borrowed into English around the 17th century. The French word in turn has its origins in Italian balletto, a diminutive of ballo (dance). Ballet ultimately traces back to Italian ballare, meaning "to dance". [2]
Enrico Cecchetti (Italian pronunciation: [enˈriːko tʃekˈketti]; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. [1] The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome.
Pages in category "19th-century Italian ballet dancers" The following 31 pages are in this category, out of 31 total. This list may not reflect recent changes .
Francesca "Fanny" Cerrito (11 May 1817 – 6 May 1909) was an Italian ballet dancer and choreographer. She was a ballerina noted for the brilliance, strength, and vivacity of her dancing. She was also one of few women in the 19th century to be recognized for her talent as a choreographer.