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The Mephisto Waltzes (German: Mephisto-Walzer) are four waltzes composed by Franz Liszt from 1859 to 1862, from 1880 to 1881, and in 1883 and 1885. Nos. 1 and 2 were composed for orchestra, and later arranged for piano, piano duet and two pianos, whereas nos. 3 and 4 were written for piano only.
Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...
However, Liszt had done the same not only in then-unpublished works such as the Third Mephisto Waltz but also in published ones such as the Hungarian Rhapsody No. 17. [12] Even in a popular work such as the Mephisto Waltz No. 1, the originality of its piling-up of fifths at its onset was remarkably forward for its time. [13]
Der Tanz in der Dorfschenke (Mephisto Waltz) orch 1856–61 Orchestral 1st version of S.110/2a; arr. for pf as S.514 111 G37 Mephisto Waltz No.2 (Zweiter Mephisto-Walzer) orch 1880–81 Orchestral arr. of S.515 112 G25 Odes funèbres (3): orch 1860–66 Orchestral 112/1 G25/1 Les morts: orch (+ mch) 1860 Orchestral
The Mephisto Polka (S. 217) is a piece of program music written in folk-dance style for solo piano by Franz Liszt in 1882–83. The work's program is the same as that of the same composer's four Mephisto Waltzes, written respectively in 1859–60, 1880–81, 1882 and 1885 and based on the legend of Faust, not by Goethe but by Nikolaus Lenau (1802–50).
In the last part of his "2de Valse oubliée" ("2nd Forgotten waltz") Liszt composed that he could not find a lyrical melody. Pieces like the "2d Mephisto-Waltz" are shocking with nearly endless repetitions of short motives.
A Faust Symphony in three character pictures (German: Eine Faust-Symphonie in drei Charakterbildern), S.108, or simply the "Faust Symphony", is a choral symphony written by Hungarian composer Franz Liszt inspired by Johann Wolfgang von Goethe's drama, Faust.
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.