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Rick Blaine is the character with the most quotes (four); Dorothy Gale (The Wizard of Oz), Harry Callahan (Dirty Harry and Sudden Impact), James Bond (Dr. No and Goldfinger ), Norma Desmond ( Sunset Boulevard ), Scarlett O'Hara ( Gone with the Wind ), and The Terminator ( The Terminator and Terminator 2: Judgment Day ) have two quotes each.
In the 1990s, dialect coaches became significant in the film industry as more filmmakers began employing them to train actors to speak in accents. The Los Angeles Times described the general training approach, "It's a process that involves repetition, studying audio- and videotapes, visits to locations where the characters live, along with breathing and vocal exercises."
However, they are most commonly used as part of a historical drama's epilogue to explain what happened to the depicted characters and events after the conclusion of the story proper. The development of the soundtrack slowly eliminated their utility as a narrative device (they were common for providing narration, but not dialogue, well into the ...
[6] [25] Sestero mentions that Wiseau was adamant characters say their lines as written, but that several cast members slipped in ad libs that made the final cut. [20] Much of the dialogue is repetitive, especially Johnny's. His speech contains several catchphrases: he begins almost every conversation with "Oh, hi!" or "Oh, hi [name of ...
It is also a horror movie, with disaster lurking like an unseen demon outside the skyscraper windows and behind the computer screens. It is also a workplace comedy of sorts. The crackling, syncopated dialogue and the plot, full of reversals and double crosses, owe an obvious debt to David Mamet’s profane fables of deal-making machismo ...
Prime Video has launched a brand new feature called Dialogue Boost which allows users to increase the volume of dialogue on a selection of the streamer’s original series and films. Initially ...
The dialogue experiments confirmed his long-standing conviction that the universal appeal of his "Little Tramp" character would be lost if the character ever spoke on screen. Most of the film was shot at "silent speed", 18 frames per second, which when projected at "sound speed", 24 frames per second, made the slapstick action appear even more ...
Within a decade, the widespread production of silent films for popular entertainment had ceased, and the industry had moved fully into the sound era, in which movies were accompanied by synchronized sound recordings of spoken dialogue, music and sound effects. Most early motion pictures are considered lost owing to their physical decay, as the ...