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Charlotte Lucy Gainsbourg (French: [ʃaʁlɔt ɡɛ̃zbuʁ] ⓘ; born 21 July 1971) is a British-French actress and singer.She is the daughter of English actress and singer Jane Birkin and French singer Serge Gainsbourg.
During her years in the public eye, Georgiana Cavendish, Duchess of Devonshire was painted several times by both Thomas Gainsborough and Joshua Reynolds. Gainsborough's painting of her around 1785, in a large black hat (a style which she made fashionable, and came to be known as the 'Gainsborough' or 'portrait' hat), has become famous for its history.
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
Mary Fischer (née Gainsborough; 31 January 1750 – 2 July 1826) was the eldest and first-born daughter of English painter Thomas Gainsborough and his wife, Margaret Burr. She suffered from a Mental disorder , and was prone to fits of mental aberrations.
Her younger sister Louisa was married to Lord Stormont, while her brother William, 1st Earl Cathcart were also painted by Gainsborough. The Hon. Mrs. Thomas Graham, National Gallery of Art between 1775 and 1777. It was Mary's looks that caused a stir when Gainsborough exhibited her full-length portrait at the Royal Academy in London in 1777.
The painting depicts Mary ("Molly", 31 January 1750 - 2 July 1826) [2] and Margaret ("Peggy", 19 August 1751 - 18 December 1820) [3] Gainsborough engaging in the titular activity. The younger daughter reaching to grab the butterfly represents the fragility of life while the elder daughter's apprehensive facial expression reveals her edging ...
The Portrait of a Lady in Blue, [1] or Woman in Blue, [2] is an oil-on-canvas portrait of an unknown woman, executed in the late 1770s or early 1780s by the English artist Thomas Gainsborough during his fifteen-year stay in Bath, Somerset
It became a popular ceramic figure and showed up in advertisements. The boy in blue also came alive with men, women, boys, and girls dressing up in similar costumes and pretending to be Gainsborough's youth at fancy-dress balls and marriage ceremonies, in pantomimes and plays, and eventually in movies and television programmes. [10]